Sony 16-50mm f/2.8 Standard Zoom Lens for Sony A-Mount Cameras

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Sony 16-50mm f/2.8 Standard Zoom Lens for Sony A-Mount Cameras



Sony 16-50mm f/2.8 Standard Zoom Lens for Sony A-Mount Cameras Reviews


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Rating: 4.9
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Sony 16-50mm f/2.8 Standard Zoom Lens for Sony A-Mount Cameras Overview:


  • DT Lens Design for optimum performance with APS-C DSLRs
  • Superb wide-angle to mid-range telephoto shots
  • Wide f/2.8 aperture for fast response and strong depth-of-field

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Sony 16-50mm f/2.8 Standard Zoom Lens for Sony A-Mount Cameras

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Sony 16-50mm f/2.8 Standard Zoom Lens for Sony A-Mount Cameras Reviews


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12 Reviews
5 star:
 (11)
4 star:
 (1)
3 star:    (0)
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29 of 30 people found the following review helpful
5.0 out of 5 stars The best general purpose lens for Sony Alphas (APS-C), December 9, 2011
By 
D. F. Watt "dfwatt" (Natick, MA USA) - See all my reviews
(REAL NAME)   
This review is from: Sony 16-50mm f/2.8 Standard Zoom Lens for Sony A-Mount Cameras (Electronics)
This is a beautiful (albeit not light or cheap) partner for the Sony Alphas, esp. the new A77 and A65. The term 'kit lens' might be misleading, typically implying very average optics in order to get a flexible focal length. This is clearly the sharpest 16-50 2.8 on the market right now, and perhaps slightly sharper than the pricey alpha mount Carl Zeiss 16-80mm, but without the reach at the telephoto end. Balancing that, it is significantly faster than the CZ 16-80. After surfing through many dozens of lens reviews at the phenomenal ImagingResource collection of lens tests, not only is this the sharpest 3X zoom range lens for Sony alpha cameras, it right now is the sharpest 16-50 2.8 lens available on any DSLR, full frame (which would be 24-75mm equivalent) or APS-C, from any manufacturer.

It is not an overstatement to suggest that this might be one of the finest general purpose lenses for any APS-C digital camera - and one of the very best values in digital optics. If... Read more
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14 of 14 people found the following review helpful
5.0 out of 5 stars Good Walkaround Lens, January 3, 2012
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This review is from: Sony 16-50mm f/2.8 Standard Zoom Lens for Sony A-Mount Cameras (Electronics)
Sony DT 16-50mm/2.8 SSM replaces Sony DT 18-55mm/3.5-5.6 (SAL1855 DT SAM) in my inventory of lenses. The 18-55 was the kit lens for my Sony A55. I had two main and one "nice to have" reasons to go for it:
1- Larger (and constant) aperture, f/2.8, throughout the zoom range.
2- SSM over SAM for those moments especially when the choice is video recording.
3- This is a parfocal lens. In other words, it will maintain focus across focal lengths when zooming in/out.

The negatives, especially compared to the 18-55, are that it is substantially chunkier and heavier. In fact, it is nearly identical in both regards to my travel zoom lens (Sigma 18-250mm/3.5-6.3 HSM). But it is the kind of tradeoff we can look for, with a constant large aperture, SSM and all those elements with 72mm threads. The additional benefit of the large glass to me was that I could now share 72mm filters between three of my primary lenses (Sony 16-50/2.8 SSM, Sigma 18-250/3.5-6.3 HSM and Minolta... Read more
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10 of 10 people found the following review helpful
5.0 out of 5 stars Best kit upgrade lens for the A65 - Awesome for indoor kid photos, February 3, 2012
By 
Adam (Dallas, TX) - See all my reviews
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This review is from: Sony 16-50mm f/2.8 Standard Zoom Lens for Sony A-Mount Cameras (Electronics)
This lens is a substantial upgrade to the kit 18-55mm kit lens that comes with the A65 and it is worth the money as it practically gives you an entirely new camera to work with. This review will focus on the key differences between this lens and the kit lens, and is really aimed at the non-expert.

Pros vs Kit lens:
1) The image quality is flat out better than the kit lens. Colors are a bit brighter, contrast and sharpness are improved. Not dramatic but definitely noticeable.
2) Max Aperture of F2.8 vs the kit lens F3.5-5.6. allowing a faster shutter speed or a lower ISO with the same lighting conditions. At the wide angel, this lens will be twice as fast. At telephoto, it will be 4 times faster. This makes a huge difference in indoor photography especially if you have a fast moving subject like a child.
3) The F2.8 aperture gives better background blur (called bokeh) and this lens's bokeh is quite pleasing. This makes photos look much, much more professional... Read more
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